En construcción - Under construction
PAINTING
Piscina, 2020
A fragment of an Energy-Drawing by Eulalia Valldosera is copied on the wall of an abandoned swimming pool in Cercedilla, Madrid mountains. April 2020.
These kind of drawings deliver information from our subtle consciousness fields in order to heal altogether our individual and collective psyche, and therefore its manifested reality.
The Spanish word for swimming pool Piscina incorporates the astrological sign Pisces to the specific architecture humans have designed to swim. Pisces represents in fact this more propitious terrain for our consciousness to transcend our sense of separation (individual self) tasting the dissolution into Oneness.
These kind of drawings deliver information from our subtle consciousness fields in order to heal altogether our individual and collective psyche, and therefore its manifested reality.
The Spanish word for swimming pool Piscina incorporates the astrological sign Pisces to the specific architecture humans have designed to swim. Pisces represents in fact this more propitious terrain for our consciousness to transcend our sense of separation (individual self) tasting the dissolution into Oneness.
E A R L Y Y O U T H
Painting accompanied my years of growing up. At 11 years old I started oil painting and at 17 I met a good teacher José Uriszar, who taught me the professional techniques. In my growing years it was in fact a necessity to deal with life those moments where I dive into colours and where making drawings my inner life was being distilled.
Soon as I entered University to study Fine Arts, the striking inspiration was Fluxus and John Cage. For instance my purpose for my second year at University was to be able to complete the course without touching a brush. Later on I had to paint sometimes, yes. And it has always given me pleasure, but my urge then had to do with direct art-life actions.
And a big point of my philosophy was about not leaving traces of my passing by Earth, no documentation, no archives...
The paintings below belong to my early youth, I look at them to understand my life process.
Soon as I entered University to study Fine Arts, the striking inspiration was Fluxus and John Cage. For instance my purpose for my second year at University was to be able to complete the course without touching a brush. Later on I had to paint sometimes, yes. And it has always given me pleasure, but my urge then had to do with direct art-life actions.
And a big point of my philosophy was about not leaving traces of my passing by Earth, no documentation, no archives...
The paintings below belong to my early youth, I look at them to understand my life process.
Manfredi's concert, 1996
Este óleo fue premiado con Accésit en el Certamen de Arte Joven de La Rioja. Convocatoria de carácter anual. Al año siguiente presenté una obra que igualmente retomaba un tema clásico, en esta ocasión se trataba de uno de los ignudi (desnudos masculinos) del techo de la capilla Sixtina. El cuadro no fue premiado, pero sí seleccionado para la exposición itinerante que recorre varios pueblos de La Rioja. A la vuelta del tour expositivo cuando fui a recoger el cuadro, éste no estaba. En el almacén de la Escuela de Arte de Logroño nadie sabía nada, ni tampoco yo supe dónde cómo reclamar. Me intriga. No volví a presentar más cuadros.